Category Archives: OPPORTUNITIES

University of Canberra Vice-Chancellor’s International Poetry Prize

The Vice-Chancellor’s International Poetry Prize is running again in 2023.

The prize is now open until 30 June 2023, 23:59 GMT.

About the Prize

The University of Canberra Vice-Chancellor’s International Poetry Prize has been offered annually since 2014. On behalf of the University, this is administered by the Centre for Creative and Cultural Research in the Faculty of Arts and Design.

The prize celebrates the enduring significance of poetry to cultures everywhere in the world, and its ongoing and often seminal importance to world literatures. It marks the University of Canberra’s commitment to creativity and imagination in all that it does, and builds on the work of the International Poetry Studies Institute in identifying poetry as a highly resilient and sophisticated human activity. It also builds on the activities of the Centre for Creative and Cultural Research, which conducts wide-ranging research into human creativity and culture.

The 2023 prize winners will be announced by November 2023 and the prize winners and short-list will be notified prior to that.

Important details are:

  • The winner will receive AUD$15,000
  • The international winner will receive AUD$5,000
  • The runner-up (second-placed poem) will receive AUD$5,000
  • Four additional poems will be short-listed
  • An online prize anthology of up to 60 longlisted poems will be published

Entry fees

  • Entrants may submit up to six poems, and will pay a separate fee for each poem.
  • First Entry: $AUD25 or $15 concession
  • Additional Entry (up to five additional entries): $AUD20 or $10 concession
  • See How to Enter for details and Early Bird fee options

Outline of prize rules and conditions

  • All poems entered for the prize will be single poems that have a maximum length of 60 lines
  • All entries will be in English
  • No simultaneous submissions will be allowed
  • Entries must be unpublished and original works of the author
  • Translations will not be eligible unless they are English translations from another language produced by the original author
  • Judges (To be confirmed for 2023)
  • Full Conditions of Entry

Please direct all enquiries to: vcpoetryprize@canberra.edu.au
Do not call the University, unfortunately they cannot address queries over the phone.

Applications Open: Lecturer or Senior Lecturer in Digital Storytelling and Writing

The University of New England is advertising for a Lecturer or Senior Lecturer in Digital Writing and Storytelling to join us in a fulltime continuing basis at the Armidale campus. The Lecturer/Senior Lecturer in Digital Storytelling and Writing will support research and teaching in both creative storytelling and also empirical, evidence-based storytelling and narrative. This role will support future curriculum development. The successful applicant will have experience with high-quality development of digital-first course/unit design and of online and hybrid modes of teaching.

Closing date for applications is 5 February.

LinkedIn: https://au.linkedin.com/jobs/view/lecturer-or-senior-lecturer-digital-storytelling-and-writing-at-hays-3400346049

Seek: https://www.seek.com.au/job/59799143?type=standard#sol=f7e5518ae6d86dd32e4884fb60026d26cdc0c92d

Tamar Valley Writers Festival Short Story Competition

The Tamar Valley Writers Festival is hosting a short story competition with separate categories for adults, young writers, and primary school writers. There is a small entry fee for those contestants over the age of 18, and the winners will be announced on the Festival of Golden Words website in early March 2016.

Entries close on February 5th, 2016. For more information and to see terms and conditions, click here.

Special Issue of TEXT Journal – Call for Papers

Abstract proposals are sought for submission as a proposed special issue to TEXT journal which will explore Romanticism’s legacy for the study and practice of writing, its influences, inspirations, tyrannies and resistances. In the context of creative writing’s establishment as an academic discipline and the advent of digital media as the platform for new writing, this collection offers an opportunity from which to consider Romanticism’s legacies and possibilities for new, post-Romanticist discourses to emerge.

Abstracts are due November 15. For more information and how to submit, see the Call for Papers