If an abstract is accepted by the editors, the full article will be due by 15 February 2027.
Articles, essays, papers and other scholarly contributions are peer reviewed in a double-blind process, and in producing a research-based paper, authors should be drawing on a sound framework of scholarship relevant to the paper’s topic, rather than purely on personal experience and/or anecdotal evidence. Papers are expected to make a contribution that extends the current literature in the field. Authors are welcome to take a creative or lateral approach to their topic or to incorporate images or other graphic work.
Final revised articles, papers, essays and interviews (including endnotes) will be a minimum of 3,000 words and maximum of 6,000 words in length.
Please note: poems for the issue will be solicited by the editors. Unsolicited poems should not be submitted.
The inaugural 2026 NAWE Flash Fiction competition welcomes 200-word entries from writers across the globe on the NAWE online conference theme of ‘Writing Worlds’, interpreted broadly and with imagination.
The top three winners will be announced at the plenary session of the NAWE Online Conference 2026: Writing Worlds on Saturday 14 November.
The three winning entries will be published in the 2026 Conference Special edition of the NAWE magazine, Writing in Education (publication January 2027).
The first place winner will also receive a copy of the 2027 Writers’ & Artists’ Yearbook, generously donated by Bloomsbury, which is celebrating its 120th milestone edition.
Entry is free for registered conference participants; otherwise, £3.00.
The 31st Annual Australasian Association of Writing Programs Conference: “Voicing Our Worlds”, University of New South Wales, Sydney, 2–4 December 2026.
Deadline extended: Abstracts/proposals due 30th June 2026
The theme of this year’s conference is Voicing Our Worlds
In our contemporary world, the multifaceted terms, “voices”, “voicing” and their many conjugations and articulations are intertwined with key considerations in our discipline of Creative Writing. First Nations writers have been leading discussions about the real-life consequences of the amplification of some writerly voices and the silencing of others. We hear writers say that they are “giving voice to the voiceless” in their work, a formulation famously critiqued by the writer Arundhati Roy who said “There’s really no such thing as the “voiceless”. There are only the deliberately silenced or the preferably unheard.”[1]
Such provocations about voicing, silencing, hearing and their links to power are in productive tension with our discipline of Creative Writing in so many ways. In the process of composition, writers expend labour searching for the right voice through craft-based choices including considerations of form, style, lyricism, prosody, metaphor, symbolism, imagery, character design, narrative design etc while agents, mentors, publishers, scholars, critics and judges of literary awards often frame discussions and make decisions around the uniqueness of the writer’s voice in literary texts. In a narratological sense, questions about the voice of the narrator or character, and the differences from and connections to questions of perspective have helped extend the boundaries of our discipline.
In the entanglements between Creative Writing and feminist, queer, postcolonial and disability studies, and ecocriticism, the interrogation of voice is often central to creative and scholarly knowledge-creation, from the advocacy for stronger literary representation of minoritised voices to our ongoing conversations related to the more-than-human. The challenges and possibilities offered by AI have complicated our understanding of voice, demanding new ways to address the key questions of our time as they relate to the work we do as writers and scholars.
We invite scholarly and creative contributions that address these ideas directly or in tangential yet fresh ways. Abstracts/Proposals may address, but need not be limited to, the following themes:
First Nations voices in our world
The voice of the writer in the public sphere
Voice, power, representation
Voice, disability and neurodivergence
Diverse voices in the writing workshop
Voices in translation
Voicing the past, the present, and the future
Voicing the popular
Intertextuality and the voices of others in literary work
Mentoring relationships and voice
Prize culture and voice
Creative Writing pedagogy and voice
Our disciplinary voice in the higher education sector
Formalist or craft-based conceptions of voice, tone, and/or perspective
Vocalising the relationship between the human and the more-than-human
Vocal Aesthetics in literary texts
Algorithmic composition, SLMs, LLMs, machine automatism and the human voice
Voice as reflected in form and style (including hybrid forms that disrupt literary conventions and challenge genre classifications)
Voice as it can emerge in various modes of poetry, and in lyric prose
We welcome abstracts/proposals for individual papers or panels of three to four speakers that speak to our theme as it relates to the discipline of Creative Writing, on creative and professional writing practices and processes, research in creative writing, the teaching of writing and related issues.
For individual papers: a 350-word abstract + a 100-word bio note
For panels: a 700-word abstract for the panel, including a brief description of the panel and a 100-word abstract of each paper + a 100-word bio note for each speaker.
The 31st Annual Australasian Association of Writing Programs Conference: “Voicing Our Worlds”, University of New South Wales, Sydney, 2–4 December 2026.
Abstracts/proposals for individual papers or panels close 31 May 2026.
We invite scholarly and creative contributions that address these ideas directly or in tangential yet fresh ways. Abstracts/Proposals may address, but need not be limited to, the following themes:
First Nations voices in our world
The voice of the writer in the public sphere
Voice, power, representation
Voice, disability and neurodivergence
Diverse voices in the writing workshop
Voices in translation
Voicing the past, the present, and the future
Voicing the popular
Intertextuality and the voices of others in literary work
Mentoring relationships and voice
Prize culture and voice
Creative Writing pedagogy and voice
Our disciplinary voice in the higher education sector
Formalist or craft-based conceptions of voice, tone, and/or perspective
Vocalising the relationship between the human and the more-than-human
Vocal Aesthetics in literary texts
Algorithmic composition, SLMs, LLMs, machine automatism and the human voice
Voice as reflected in form and style (including hybrid forms that disrupt literary conventions and challenge genre classifications)
Voice as it can emerge in various modes of poetry, and in lyric prose
This special issue of TEXT aims to highlight the myriad ways in which disability engenders creative writing. We invite papers that explore the influence of impairment and disablement on writing techniques or topics. We are particularly, but by no means exclusively, interested in how these are entangled with other personal characteristics such as race, gender, age, and class.
Potential topics may include (but are not limited to):
Analysis of a particular disabled author
How impairment shapes creative writing
How disabled authors influence each other’s writing
Learning and unlearning writing conventions
Translating individual experience for a diverse audience
Stories told and stories concealed
Crip style, genre, etc
Disability politics and poetics
Editors: Associate Professor Jessica White and Dr Amanda Tink
Abstracts are due by 1 June.
Read the full details and submission guidelines via the TEXT website.
Social Alternatives is an independent, not-for-profit peer-reviewed journal publishing practical and theoretical articles on relevant topics, as well as reviews, short stories, poems, graphics, commentaries and critiques.
Authors are invited to submit short stories that have polished. No particular theme is required. The collective firmly recognises the ability for literature to comment on range of social issues and act as vehicle for social change. Fiction is by definition transformative, allowing us to reveal and re-imagine ourselves.
There is no specific deadline. Instead, writers are encouraged to submit their work when it’s ready for consideration.
The Jay Yes International Short Story Contest 2026 is a global writing competition created for unpublished writers aspiring to share their stories with the world. Participants are invited to submit original short stories between 2500 and 4000 words.
Exceptional entries may also be considered for further publishing opportunities with the contest’s publishing partner, Zero Degree Publishing. There are other benefits including podcast opportunities for winners and contributors of anthology. With no entry fee and driven by an inclusive literary vision, the contest champions a shared commitment to storytelling. The jury eagerly looks forward to discovering bold, moving, and truly jaw-dropping narratives from across the globe.
The American Association of Australasian Literary Studies (AAALS), together with the American Australian Association, welcomes submissions to our annual creative writing competition between 1-31 March 2026.
We invite entries in the following categories:
Poetry
Creative Prose
Indigenous Writers Poetry
Indigenous Writers Creative Prose
With the generous support of the American Australian Association, the winner of each prize will be awarded US$1000, plus publication in the journal Antipodes.
This special issue of TEXT seeks to publish scholarly papers and creative works concerned with and inspired by the theme of intertextuality. We are seeking creative works and scholarship that consciously respond to this tension, reflecting on or engaging in acts of allusion, rewriting and reimagining. In our contemporary moment of environmental, political and existential crisis, it is necessary to ask what purpose ‘writing back’ serves and how it might be done, especially in decolonising contexts.
Editors: Dr Aidan Coleman, (Southern Cross University), Associate Professor Melanie Duckworth (Østfold University College) and Associate Professor Adelle Sefton-Rowston (Charles Darwin University).
Abstracts for scholarly papers and creative work EOIs should be sent by 10 April 2026.
Read the full details and submission guidelines via the TEXT website.
Have you written a novella in prose or verse? Or a hybrid novella that crosses genre boundaries? Enter the Australasian Association of Writing Programs (AAWP) and Recent Work Press (RWP) ‘Novella Prize’ for your chance to win.
If you win you will receive: a written commendation from AAWP. This ‘tick of approval’ will see your manuscript assessed without delay. You will, effectively, leap to the top of the submissions pile. You will also receive a $500.00 cash prize and fully subsidised conference fees to attend the annual conference of the AAWP (November 2026) where you will be invited to read from your work.
If your full manuscript is as robust as the synopsis and opening extract, you may secure a publishing contract with RWP: https://recentworkpress.com
Take advantage of this stunning opportunity. Fast track your writing journey in a fiercely competitive market.
In 2026, the Australasian Association of Writing Programs (AAWP) and Westerly Magazine are offering a prize for Life Writing. We welcome submissions of autobiography, biography, memoir, and essays. We celebrate Life Writing as a rumination upon memory and experience and encourage creative and hybrid approaches.
The prize is open to writers at all stages of their journey; emerging and established writers are welcome to enter. The prize recognises excellence in nonfiction, creative nonfiction and hybrid modes of storytelling. Hybrid storytelling is broadly conceived as storytelling that crosses traditional boundaries of nonfiction and creative nonfiction and/or is experimental in form.
We invite you to send Life Writing submissions of up to 3500 words. The winner will receive a written commendation from AAWP, a $500 cash prize, a one-year subscription to Westerly, and conference fees to attend the annual conference of the AAWP, where they will be invited to read from their work. Please see item 3 (Terms and conditions). The winner’s work will be considered for publication by Westerly.
We encourage you to take advantage of this stunning opportunity to celebrate diverse interpretations of nonfiction, creative nonfiction and hybrid modes of storytelling, and be welcomed into the thriving community of writers associated with the AAWP.
We are deeply interested in capturing a composite “picture” of what people are writing about. Now. Please send creative work—short-short fiction, “sudden” fiction, “sketchy” stories, creative nonfiction, poetry, as well as hybrid forms.
We are accepting submissions on the following scale: up to 400 words prose, 40 lines for poetry, 200 words for prose poems, and the equivalent for hybrid forms. Submissions must be previously unpublished. Please send your most polished work, without delay.
If you win you will receive a written commendation from AAWP and a $500 cash prize. You will have your work published on the Express Mediawebsite and receive a Voiceworks subscription. You will also receive fully subsidised conference fees to attend the annual conference of the AAWP, where you will be invited to read from your work. Read the full terms of entry here
This prize is offered in partnership with the Ubud Writers and Readers Festival (UWRF), and is open to translators at any stage of their career.
The winner receives a written commendation from AAWP, a festival pass to UWRF and accomodation for the duration of the festival (*Terms and Conditions apply, see below). In addition, you will receive fully subsidised conference fees to attend the annual conference of the AAWP, where you will be invited to read from your work. The editors at Meniscus Literary Journal will also consider your work for publication.
Entries must be no more than 30 lines (poetry) or 3000 words (prose), and entrants can translate their own work into English. Entries must be accompanied by a ‘Translator’s Statement of Intention’ (up to 400 words) addressing the aims of the translation.
If you win you will receive: a festival pass to UWRF and accommodation for the duration of the festival (*Terms and Conditions apply, see below). In addition, you will receive fully subsidised conference fees to attend the annual conference of the AAWP. The editors at Meniscus will also consider your work for publication.
Take advantage of this stunning opportunity to celebrate the craft of writing at Southeast Asia’s largest and most exciting literary festival. Be welcomed into the thriving community of writers within the AAWP. Enter your short story and make the most of this generous publication pathway and networking opportunity for emerging writers. Entries should not exceed 3000 words.
Enter your poem in the ‘AAWP/UWRF Emerging Writers’ Prize for Poetry for your chance to win.
If you win you will receive: a festival pass to UWRF and accommodation for the duration of the festival (*Terms and Conditions apply, see below). In addition, you will receive fully subsidised conference fees to attend the annual conference of the AAWP. The editors at Meniscus will also consider your work for publication.
Take advantage of this stunning opportunity to celebrate the craft of writing at Southeast Asia’s largest and most exciting literary festival. Be welcomed into the thriving community of writers within the AAWP. Enter your poem and make the most of this generous publication pathway and networking opportunity for emerging writers.
Have you written a poetry collection, literary novel, short story collection or a hybrid work that crosses genre boundaries? Enter the Australasian Association of Writing Programs’ (AAWP) ‘Chapter One’ competition for your chance to win.
If you win you will receive: a written commendation from AAWP and a letter of recommendation to the University of Western Australia Publishing (UWAP). This ‘tick of approval’ will see your manuscript assessed without delay. You will, effectively, leap to the top of the submissions pile. You will also receive a $500.00 cash prize and fully subsidised conference fees to attend the annual conference of the AAWP (November 2026) where you will be invited to read from your work.
If your full manuscript is as robust as ‘Chapter One’ you may secure a publishing contract with UWAP: http://uwap.uwa.edu.au.
Take advantage of this stunning opportunity. Fast track your writing journey in a fiercely competitive market.
You must be an AAWP member, and you may enter as many times as you like.
The Prizes and Partnerships Portfolio is managed by AAWP President | Chair, Associate Professor Julia Prendergast, contactable directly at jprendergast@swin.edu.au
Got a question? Want to be on our focused Prizes email list? Email us at prizes@aawp.org.au
AAWP prizes have been ratified by Arts Law: ‘Arts Law was very impressed with AAWP’s attitude, which clearly demonstrated AAWP’s respect for writers.’
