Author Archives: Sarah Giles

About Sarah Giles

Sarah Giles (she/her) is a PhD candidate at Swinburne University researching the possibilities of the contemporary short story cycle exploring women’s experiences of isolation, trauma and mental illness. Her writing has been published in The Writing Mind: Creative Writing Responses to Images of the Living Brain, ACE III and ACE IV (Arresting Contemporary stories by Emerging Writers), The Incompleteness Book, TEXT Journal among others. Sarah works at Writers Victoria as Marketing and Memberships Officer and is a sessional tutor across multiple universities.

Call for Papers: Affective Ambush and Life Narrative: Engaging with and Interrogating Emotional Responses During Research 

Research symposium: 20th June 2025

James Cook University, Townsville

Papers are invited with a view to development into articles for a confirmed special issue of Life Writing journal (scheduled for mid-2026).

Full final articles of 6000-9000 words are due 4 August 2025.

Abstract submissions are due 25 March 2025.

Call for Papers

Life writing about trauma and grief is a significant area of study. However, researching such areas takes a mental toll on researchers who must monitor and support their own wellbeing and mental health while investigating topics that can be triggering, depressing, and weigh heavily on their minds. Importantly, embodied emotions which arise in the research process can also be fruitful or useful to research and writing. There is limited research from a literary studies perspective that acknowledges and theorises this dual reality of conducting such research.

Our essay on this topic, “Affective Ambush: An Autotheoretical Approach to Understanding Emotions as Useful to the Research Process” has appeared recently in Life Writing. In this work we identify and articulate a phenomenology we call “affective ambush”, the experience of encountering emotional or traumatic life narratives in otherwise (traditionally) academic reading. In this work we investigate our own affective responses as researchers illuminating how involuntary psychological triggering during the research process might not only be managed, but might be productively acknowledged and used as a constructive or generative part of research methods.

We are interested in parallel experiences of other researchers encountering this phenomenon and aim to open up new avenues of relating to, understanding, and producing human-focused research.

We are seeking a diverse range of expert considerations of how researchers are impacted by affective responses to troubling, triggering, and challenging literary and cultural texts through the research process. We seek responses that move beyond a position of problematising the phenomenon and instead reflect on the utility and potential for emotions to enhance or engage us in deeper research. We highly encourage submissions that use an autotheoretical method.

We recommend potential contributors first read the essay on which this special issue will build, available open access here: https://www.tandfonline.com/doi/full/10.1080/14484528.2024.2344002 

Our suggestions for engaging with this theme include (but are not limited to):

  • Researcher self-care while researching troubling texts and material
  • Trauma-informed approaches to methodology and life writing scholarship
  • The ethics of ambushing readers with traumatic life narration with or without explicit warning in academic texts
  • Exploration of an unexpected emotional/embodied response to an academic text you did not anticipate would elicit such a response (with an analytical eye to any life narrative approaches employed in the work)
  • What you have learned from and about working with trauma/triggering life narrative texts particularly in terms of affect, researcher identity and/or bringing research “back to life” (Sara Ahmed, Living a Feminist Life, p. 10)
  • Reflective and analytical responses to non-life narrative texts which employ unexpected life writing approaches related to traumatic or grief-related experiences (for example, academic articles from other disciplines, autofiction, documentaries or films)
  • Developing affective literacies in the research context and the classroom
  • Autotheoretical engagements with life writing texts that employ affective strategies to explore trauma, grief etc.
  • The productive use of emotions in research, or emotions as a tool in the research process
  • Feminist approaches to embodied research and the blurring of academic/personal identity
  • Exploration of trigger/content warnings and their usefulness (or not) in the context of traumatic life narratives and life narrative research
  • Refusal of the body/intellect and emotion/reason dichotomies in academic works which employ life narrative approaches (regardless of discipline)
  • Balancing risk and safety in approaches to reading and writing life narrative texts related to grief and trauma
  • Institutional duty of care: what is the responsibility of institutions in this context? What can universities do to support researchers working on these topics?

Please submit abstracts of up to 250 words by 25 March 2025 here: https://forms.office.com/r/9ti6K78ws2

Contact Emma Maguire (emma.maguire@jcu.edu.au) and Marina Deller (marina.deller@flinders.edu.au) with questions.

Editors
Dr Emma Maguire
 is a Lecturer in English and Writing at James Cook University. She researches gender, life narrative, media, and sexual trauma narratives. She is a member of the Life Narrative Lab, a steering committee member for the International Auto/Biography Association Asia-Pacific, and digital content co-editor for A/b: Auto/biography Studies. Emma has edited two journal special issues for M/C: Media/Culture journal, one for a/b: Autobiography Studies (forthcoming 2025), a forum for a/b: Auto/Biography Studies and has published life narrative research in Biography, Prose Studies, Life Writing, a/b: Auto/Biography Studies, and the European Journal of Life Writing.

Dr Marina Deller is a creative and pedagogical researcher at Flinders University, South Australia. Their research investigates grief and trauma narratives, materiality, and object-based learning. Their work in these areas has been published in Life Writing and a/b: Auto/Biography Studies and is forthcoming in The Journal of Literature, Language & Culture. They are currently co-editing a special issue on #MeToo in life narratives for a/b: Auto/Biography Studies. They recently co-organised the IABA Asia-Pacific 2023 virtual conference ‘Life Narrative in Unprecedented Times: writing the unexpected, narrating the future’. They are the creative events curator and coordinator for the Life Narrative Lab.

Next Generation Short Story Awards

Brought to you by the Next Generation Indie Book Awards (the largest book awards program in the world for self-published authors and independent publishers) and Independent Book Publishing Professionals Group

  • Submissions accepted: Short stories or poems in English (5,000 words or fewer)
  • Categories: 30+
  • Deadline: Thursday, February 27 2025
  • Prizes for winners: Cash awards, gold medals, digital promotional stickers, social media exposure, publication in the Anthology of Winners, and a complimentary copy of the anthology

This initiative is part of the Next Generation Indie Book Awards, which celebrates independent and self-published authors worldwide. We’re committed to providing a platform for writers to gain recognition and connect with a wider audience.

For more information, visit the Short Story Awards website here.

A new double special issue on creativecritical writing out now at TEXT

Volume 28 Special Issues 72 and 73 of TEXT are guest-edited by Daniel Juckes and Stefanie Markidis, and are designed to survey attitudes toward, and enactments of, creativecritical writing now.

A major theme within Special Issue 72 is the ways in which creativecritical writing exposes the space of its construction.

A major theme within Special Issue 73 is the ways in which the creativecritical self is incorporated within networks of other selves.

Read these and other issues via the TEXT website here.

A photo of a gold trophy.

Announcing the winner of the inaugural Nigel Krauth Prize

The Nigel Krauth Prize is awarded annually to the strongest work published in the volumes of TEXT in the preceding year.

The prize remembers the contributions of co-founding TEXT editor, Nigel Krauth, who was Managing Editor of the journal from 1997 to 2023.

2024 Winner of the Nigel Krauth Prize is:

Jessica White, for the scholarly article
Moving between worlds: Creativity, disability and storytelling

2024 Highly Commended works include:

Stef Markidis, for the scholarly article
Writing in the wake of movement: Deleuze, dance and life writing

Amelia Walker, for the creative work
Week Thirteen

All publications in TEXT between 1 November 2023 and 31 October 2024 were automatically eligible for this award. The TEXT editorial team selected the winner and commended works based on the following criteria:

  • Relevance to the journal’s aims and scope;
  • Style and readability;
  • Quality of the research/innovation/analysis;
  • Potential impact or contribution to the discipline.

The winner receives a $500 cash prize, contributed this year by the Australasian Association of Writing Programs.

HASS and Indigenous Research Data Commons Summer School 2025

The HASS and Indigenous research data community is invited to gain hands-on experience, learn digital skills and network to inspire new research outcomes.

For more information, visit the Australian Research Data Commons website here.

About the Event

The ARDC invites you to join in person for the free 2025 HASS and Indigenous Research Data Commons (RDC) Summer School in Brisbane/Meanjin.

The Summer School aims to empower participants with practical knowledge, build digital skills, and help inspire new research outcomes within the humanities, arts, social sciences (HASS) and Indigenous fields of study. Participants will collaborate in an interactive group setting while networking with like-minded researchers and subject matter experts.

You are also invited to join the in person Indigenous Data Governance Masterclass at Summer School, held in Brisbane/Meanjin one day before the Summer School. It is aimed at a wider audience, all custodians of Indigenous data and researchers of all disciplines.

Also register for What to Expect at HASS and Indigenous Summer School 2025: A Webinar to hear from a previous attendee about their experience, and 2025 workshop presenters outlining what they will cover.

For more information, visit the Australian Research Data Commons website here.

Job Opportunity: Nagoya University

Role: Associate Professor in the Graduate School of Humanities, Interdisciplinary Humanities Connections, English Literature, Literature of the English-Speaking World.

Location: Nagoya University, Tokai – Aichi Prefecture

Job description and duties

  • Teach classes on comparative literature, culture, and critical theory in the Global 30 Linguistics and Cultural Studies Program, Graduate School of Humanities.
  • Teach classes in university-wide education subjects (English).
  • Participate in research and education projects promoted by Nagoya University.
  • Other, entrance examination duties, administrative duties, social contributions, etc.
  • (scope of change)
  • Duty designated by the Tokai National Higher Education and Research System

For more information visit the job posting here.

Call for Papers: Text Special Issue

Call for Papers, TEXT Special issue: ‘Isn’t it Romantic’, inspired by the RWA 2024 academic symposium

Romance is a powerhouse genre, a $1.4 billion dollar industry in 2022 (The National Herald). Sales of romance print books increased 52% in the 12-months ending May 2023 (Global Newswire) and according to Nielsen BookScan in Australia the ‘Romance and Sagas’ genre more than tripled in sales 2017-2023, showing an increase of 230%, while New Zealand saw a 270% increase in the same period. Popular Romance Studies is of growing scholarly interest and there are increasing numbers of Higher Degree Research students in the field, particularly doing Creative Writing PhDs. This is a call for papers inspired by the themes of the academic symposium hosted by Flinders University and Assemblage Centre of Creative Arts at the Romance Writers of Australia conference in August 2024. We invite scholarship on popular romance fiction in all its incarnations, including its intersections with colonialism, race, gender, sexuality, power, disability, and queerness, and explorations of genre and subgenre. Both scholarly articles and creative work will be considered. 

Papers are encouraged, but not limited, to explore the following:

  • Popular romance fiction tropes 
  • Popular romance fiction and questions of genre/subgenre 
  • Romance fiction and colonialism  
  • Romance fiction and race 
  • Romance fiction and gender 
  • Romance fiction and sexuality 
  • Romance fiction and dis/ability  
  • Romance fiction and queerness 

Abstract Submissions

Abstracts for scholarly papers should be 200 words in length and sent to the editors at degreesoflove@flinders.onmicrosoft.com with the subject line:‘EOI for Isn’t It Romantic Special Issue of TEXT Journal.’

Scholarly papers should be 6,000 – 8,000 words as per TEXT guidelines (including endnotes). Please include a brief biography with your abstract (100 words max, in TEXT style) and ensure that you include your email address for reply. 

EOI for Creative Submissions

Creative submissions will also be considered for this Special Issue. Final prose works would be 2,000 – 3,000 words. Creative EOIs should include a short synopsis/description of the proposed work, its relation to the theme and focus of the Special Issue, and a 200 – 300 word (10 – 20 lines) creative sample. 

EOIs should be sent to the editors atdegreesoflove@flinders.onmicrosoft.com with the subject line:‘Creative Submission EOI for Isn’t It Romantic Special Issue of TEXT Journal.’ Please include a brief biography with your abstract (100 words max, in TEXT style) and ensure that you include your email address for reply. 

Deadline for Abstracts and EOIs: Friday, 6th September 2024

Deadline for completed, accepted works: Friday, 1st November 2024

We welcome early submissions

References 

Bhowmik, Ananyaa. “Era of Romance: Exploring the Unprecedented Boom in the Popularity of Romance Novles.” The National Herald, 2023. Retrieved June 1st, 2024, from thenationalherald.com.  

Baur, Erick. “From Laggard to Leader: Record Sales of Romance Books Reflect Next Generation of Contemporary Readers.” GlobeNewswire, 2023. Retrieved June 1st, 2024, from globenewswire.com. 

Program for the RWA ‘Trope Actually’ academic symposium: 

https://willorganise.eventsair.com/2024-romance-writers-of-australia/friday-workshops

International Australian Studies Association (InASA)2025 Biennial Conference 

Australian Studies in the 21st Century: Human and More-Than-Human Worlds 
Interactions, Perspectives, Futures 

Macquarie University
Wallumattagal Campus Sydney, Australia
5-7 February 2025 

Australian Studies has long been concerned with histories and stories about human experiences focusing on issues of settler colonisation, conflict, violence, resistance, resilience, agency, and justice. The 2025 InASA conference continues to focus on these vital issues but turns also to consider Australians’ formation by, and engagement with, the more-than-human world. Australian Studies is experiencing rapid transformation in the 21st century as new biopolitical challenges emerge with climate change and concomitant environmental and ecological concerns, and as artificial intelligence impacts and transforms social, cultural, economic, and political life. New understandings, inspirations, and challenges emerge not only about the peoples across Australia, but also the continent’s more-than-human entities, including animals, plants, landscapes, ecologies, and technologies, among others. 

The 2025 InASA conference aims to foster interdisciplinary and cross-cultural dialogues on Critical Indigenous Studies, history, literature, culture, creative arts, politics, media, sociology, anthropology, geography, ecology, and other disciplines that engage with human experiences and/or more-than-human worlds.

Register now

We welcome proposals for individual papers, 3 member panels, or 4-5 member roundtables for plenary sessions, that engage with the conference theme from diverse disciplines, perspectives, and methodologies. For more information visit the Call for Paper’s page.  

The conference program will be available in the coming months. Stay tuned! 

Prizes closing soon

There are just ten days left to submit your entries for one of our seven prizes for writers and translators, brought to you by AAWP and our prizes partners.

The deadline for all prizes is June 30.

Do you create work that lives in the category of: short story – poetry – hybrid writing – translation – under 25 writer work – creative nonfiction – manuscript chapter – novella? There’s a prize waiting to receive your entry.

These amazing prizes offer recognition and exciting opportunities for the winners, but every entry gives you invaluable experience in polishing and putting forward your best work.

For full details of all prizes, head to: https://aawp.org.au/news/opportunities/

And to enter, head to: https://meniscusliteraryjournal.submittable.com/submit

Early Bird Tickets On Sale: Ubud Writers & Readers Festival

News has arrived from our prize partner Ubud Writers & Readers Festival about this year’s festival.

The first line up of speakers has just been announced – and we are screaming with excitement to see included such writers as Amitav Ghosh, Nam Le, Ali Cobby Eckermann, and Augustinus Wibowo, among other literary rock stars.

So the other great news is that early bird tickets are now on sale! 

Check out the first speaker release and get yourself on the way to the festival in late October with an early bird pass, by heading to https://www.ubudwritersfestival.com/