The View From Above: Cosmopolitan Culture And Its Critics

‘The View from Above: Cosmopolitan Culture and its Critics’, a two-day interdisciplinary conference for post-graduate students and early career researchers, will begin at the University of Melbourne on Monday 22 September 2014.

This conference invites participants to explore cosmopolitanism, both as a utopian project and as an object of critique.  While the focus of the conference is on literature and literary criticism, the organisers welcome papers addressing theatre, the visual arts, popular culture, translation and other forms of cultural expression in either contemporary or historical settings. They also strongly encourage contributions from creative writers. Abstracts of no more than 250 words should be sent to by Monday, 19 May, 2014.

‘Cosmopolitanism’ connotes a dynamic, eclectic and sophisticated cultural sphere, one that transcends borders and national differences.  Although the term is an ancient one, deriving from the Greek word kosmopolitês, its meaning has never been stable.  The notion of the cosmopolitan is glamorous and in some respects elitist, suggesting a ‘luxuriously free-floating view from above’ (Bruce Robbins, Cosmopolitics, 1998).  At the same time, it has utopian connotations of pluralism and universality.

In the last decade or so, discourses of cosmopolitanism have experienced a resurgence.  The term is increasingly associated with multiculturalism, diasporic culture and the impact of globalisation.  Critics have advocated new forms of ‘rooted’, ‘vernacular’, postcolonial and even ‘refugee’ cosmopolitanism, in an attempt to break away from Eurocentric canons and outmoded nation-based identity politics.  But do these new accounts of cosmopolitanism resolve the tension between its egalitarian and elitist impulses?  Are aspirations to cosmopolitanism still, as Simon Gikandi suggests, ‘an essential mark of bourgeois identity and privilege’?

Topics for discussion might include:
·      –   old and new cosmopolitanisms (including the influence of classical, medieval and early modern texts on more recent understandings of the cosmopolitan)
·      –   cosmopolitan sensibilities in colonial, postcolonial and diasporic literatures
·       –  cosmopolitanism and class
·       –  cosmopolitanism and the metropolitan/regional
·       –  feminist engagements with cosmopolitanism
·       –  cosmopolitanism and sexuality
·       –  cosmopolitanism, advertising, popular culture and everyday life
·       –  transnationalism and globalisation, parochialism and provinciality
·       –  cosmopolitan readerships and polities; the role of translation
·       –  creative practice and the cosmopolitan
·       –  the text as a cosmopolitan space
·       –  utopianism and cosmopolitan futures
The convenors welcome abstracts from postgraduate and early career researchers working in any field of the humanities, particularly literary studies, creative writing, theatre studies, history (including art history), cultural studies and translation studies. Presenters may choose to focus on Australian cosmopolitanisms or address broader categories such as the postcolonial or the transnational.
Keynote speakers are Professor John M. Ganim, University of California, Riverside, on medieval cosmopolitanism; and
Dr Brigid Rooney, University of Sydney, on cosmopolitan suburbia.

Dr. Katie Hansord
Catherine Noske
Lucinda O’Brien
Dr. Jay Daniel Thompson

Supported by the Association for the Study of Australian Literature