The Creative Manoeuvres: Making, Saying, Being Papers – The Refereed Proceedings Of The 18th Conference Of The Australasian Association Of Writing Programs, 2013

ISBN 978-0-9807573-7-8 Copyright, 2013

Editorial Introduction: Shane Strange and Kay Rozynski

Academic stream

• Atherton, Cassandra; Pont, Antonia. Reading, writing, crafting: Innovations in first year tertiary writing pedagogy
• Baldwin, Andrea. The Mirror manoeuvre: telling the same story twice
• Batty, Craig. Creative interventions in screenwriting: Embracing theme to unify and improve the collaborative development process
• Bayes, Chantelle. Nature and the Embodied Hybrid
• Beckton, Denise. From Harry Potter to The Fault in Our Stars: a generation of crossover novels
• Craig, Jen. The maddening in Hornbacher’s Wasted: Digression as a performance of the eating disordered body
• Dalgleish, Romana. Where we’re kept: Some consequences of writing sudden memoir
• Davis, Anthony (Tony). A Cure for the conventional novel: The second person in Peter Kocan’s Incarceration duology
• Dickerson, A. B. Whereof one cannot speak? Reading the Tractatus
• Fisher, Jeremy. ‘I will have no further alterations to the story or text’: An examination of an author’s collaboration with his peers and publisher
• Franks, Rachel. Poker Faces: Real-life crime fiction authors give writing advice to Richard Castle
• Green, Stephanie. Edge3: Multimodality, Dialogics and Fiction
• Harley, Alexis. The materiality of writing beyond the writing/materiality binary
• Harvey, Pam. Paediatric pathographies: Reflecting on childhood illness narratives
• Hecq, Dominique. This body of words: on poetic genesis, birth and becoming
• Jeremijenko, Valerie; West, Patrick; Keane, Jondi; Yyelland, Bryad. Souvenirs of the senses: Collaborative and cross-artform makings
• Keane, Jondi; West, Patrick; Jeremijenko, Valerie. Material writing: Towards Hybrid-making
• Kroll, Jeri. The supervisor-student dynamic: Creative collaborations
• McMahon, Tony. Writing the city otherwise: Skateboarding, Situationism and street press in the practice of storytelling
• Mullins, Patrick. Quick books, quick manoeuvres: Disentangling the dangers and opportunities of the quickie political biography
• Nandan, Jyoti. Madness as protest: Charlotte Gilman’s ‘The Yellow Wallpaper’ as a subversive text
• O’Sullivan, Jane. Mixed Media: moving between painting and writing
• Pattinson, Elizabeth. Discovering the self: Fictocriticism, flux and authorial identity
• Prior, Sian. Writing the shy body: a textual immersion in social anxiety
• Todd, Ruby. Writing absence: a case study of Duras’s The North China lover
• Utting, Susie. Deviation or subversion: Imagism, haiku and haibun
• West, Patrick; Keane, Jondi; Jeremijenko, Valerie. Words and things: Souvenirs of over-site/over-sight for place-making
• Weste, Linda. Metaphorical manoeuvres in the contemporary verse novel

Creative stream

• Anderson, Peter. INSTRUCTION / POEM
• Carlin, David. Kevin and I ride to St Albans
• Carroll, Monica. No Word Measures Sea. All is Horizon.
• Colbert, Elizabeth. New York, New York
• Cosgrove, Shady. Discoursing love: The classroom. A fictional response to Roland Barthes
• Crawford, Jen. ‘Soft Shroud’: excerpts from a long poem
• Hawryluk, Lynda; Shilton, Leni. Capturing the glimpse: Revelations on creative manoeuvres
• Hermanoczki, Suzanne. Of things not said: Silence and writing
• Ireland, Amy. Bouequet, or a joke about the language of flowers
• Johnson, A. Frances. The Lost Garden
• Martín, Daniel. To whom it may not concern – a 100 line researchpoem
• McKinnon, Catherine. Discoursing Love: The writer and X. A fictional response to Roland Barthes
• Murphy, Annabelle. Reasons to be cheerful: A study in reverse adaptation
• Prendergast, Julia. Long Gone
• Rose, Jessica. Staple us Together
• Rozynski, Kay. Sonogrammar: Gertrude Stein and the pulse of writing
• Shek, Marianna. The Marriage Plot Thickens
• Walker, Amelia. I’m Putting My Money on Janet