The Encounters: Place, Situation, Context Papers—The Refereed Proceedings Of The 17th Conference Of The Australasian Association Of Writing Programs, 2012
ISBN 978-0-9807573-6-1 Copyright, 2012
Cassandra Atherton, Rhonda Dredge, Et. Al. Editorial Introduction
- Abblitt, Stephen Duchamp, Debord & Derrida walk into a bar: art, theory & everyday life
- Baker, Daniel Fantasy: exploration of a genre
- Brien, Donna Lee The role of food writing and publishing in promoting and resisting change in Australia and New Zealand in the 1920s
- MacFarlane, Elizabeth; Brophy, Kevin; Birch, Anthony; Johnson, Amanda; Paterson, Eddie; Caldwell, Grant Encounters in the classroom: A case study of peer review of teaching in creative writing
- Carlin, David Encounters with nonfiction and its awkwardness
- Chellew, Libbie Uncanny suburbia in Australian fiction
- Cosgrove, Shady Can we inhabit (narrative) time?
- Davis, Tony ‘You will be drawn in’: the literary effectiveness of the second person in Eddie Campbell’s Alec: how to be an artist
- Dredge, Rhonda Doubt and the novel
- Dzunko, Zoe Meet me in the land of hopes and dreams: utopian illusions versus quotidian experience in blue-collar poetry
- Finlayson, Katrina Encounters with future selves: crafting an identity as a creative-writing academic
- Fisher, Jeremy and O’Sullivan, Jane Slip, slop, slap: rethinking, re-writing and re-viewing Australia
- Freiman, Marcelle Ekphrasis, poetry and emplacement: ‘writing with’ visual art
- Glance, Vivienne Theatre as essay: a useful framework for the science play
- Gye, Lisa On the way to electracy
- Hecq, Dominique Sunscapes: subjectivity, creativity and the work of metaphor
- Hetherington, Paul ‘Dancing in the open’: the encounter with poetry and eruptions of the unknown
- Hutton, Rebecca Prose fiction’s ‘infinite playlist’: encountering music in fiction narrative
- Joseph, Sue When ‘on the record’ doesn’t really mean ‘on the record’: an attempt to navigate ethical clearance for journalism and nonfiction research
- Kroll, Jeri ‘From page to stage’: a case study of transforming a verse novel
- Langdon, Jo Incredibly close encounters: magical realism and the intimate elegies of Jonathan Safran Foer’s Everything is illuminated and Extremely loud and incredibly close
- Le Rossignol, Rachel Emergent eco-narrative in the third space
- Lobb, Joshua ‘They don’t flinch’: Creative Writing/critical theory, pedagogy/students
- McCrea, Michele Collisions of authority: nonunitary narration and textual authority in Gail Jones’ Sorry
- McKinnon, Catherine Staging Patti Smith: (un)reliable stories, identity, and the audience-text-reader relationship
- Morrison, Glenn Songlines 25 years on: walking and encounter in a postcolonial landscape
- Nahrung, Nollie and Rowe, Stephen Salmon swimming upstream: a cross-disciplinary online encounter about autoethnographic research and thesis writing
- Prendergast, Julia Where I’m calling from: alterity and the other I of the unconscious
- Rendle-Short, Francesca Writing as curatus: archival practices, encounter and response
- Rendle-Short, Hepzhibah What do you want of me?
- Royal, Autumn ‘Flash-floods’: genre subversion and the abject erotic in Dorothy Porter’s The monkey’s mask and El Dorado
- Kay Rozynski The writing body and the reading sensorium: material calibrations of a living encounter
- Seymour, Jessica Clockwork, corsets and fabricated beasties: women and identity in YA steampunk
- Strange, Shane Radical practice? Writing ‘beyond’ system
- Todd, Ruby The art of presence: The case for presence after deconstruction
- Vicars, James Writing encounters: framing the use of fiction in biography
- Walker, Amelia ‘Good to think [as]’: uses and methodological advantages of character in research
- Webb, Jen, Brien, Donna Lee and Burr, Sandra Facing the final hurdle: creative arts PhD programs and examination standards
- Webb, Jen The traces of certain collisions: contemporary writing and old tropes
- Williamson, Rosemary Home-grown heroes: the use of narrative in Prime Minister Julia Gillard’s 2011 ‘Motion of condolence: natural disasters’