The Ethical Imaginations: Writing Worlds Papers – The Refereed Proceedings Of The 16th Conference Of The Australasian Association Of Writing Programs, 2011
ISBN 978-0-9807573-4-7 Copyright 2011
Janie Conway-Herron, Moya Costello, Lynda Hawryluk: Editorial Introduction
- Baker, Dallas J Creative and Critical Reflexivity: Queer Writing as an Ethics of the Self
- Ball, Benjamin Writing the World Wide Web: Digital Photography and Visual Truthfulness
- Bradley-Smith, Susan The truth about love: memoir as ethical decomposition
- Brien, Donna Lee & Wessell, Adele From “training in citizenship and home-making” to “plating up”: Writing Australian cookbooks for younger readers
- Burr, Sandra; Brien, Donna & Webb, Jen Ethical examiners: authority, power and the ethics of examination
- Carey, Janene Between a rock and a hard place: navigating the ethical demands of narrative inquiry and creative nonfiction
- Carlin, David After Barthes: the preparation of the memoir
- Castles, Belinda Burning In: a sensory inheritance of family history
- Conway-Herron, Janie White Australia’s Black History: Writing Australian cultural sensitivities
- Cook, Nell Trauma, Botox and the burqa: in polyvalent gothic stories
- Cosgrove, Shady Radical Uncertainty: Judith Butler and a theory of character
- Dunn, Wendy Speaking the Silences: Writing, advocacy and enabling voice
- Eales, Mic Researching Suicide via Empathic Inquiry: Speaking the silences
- Finlayson, Katrina Faking it: the ethics of transforming real life into fiction
- Fisher, Jeremy Out and proud: the difficult emergence of overt homosexual narrative in Australian fiction
- Franks, Rachel Fact, fiction and committing murder: some of the ethical issues associated with writing historical crime fiction
- Gandolfo, Enza It’s all make believe: ethics, fiction and a writer’s responsibilities
- Gibbons, Sacha Violent Criticism
- Glassby, Wendy Responsible writing: choosing how to tell the stories of marginalised characters
- Hecq, Dominique Ethics versus morality: the case of Joe Cinque’s consolation
- Hetherington, Paul Lies and truth-telling: lyric poems and autobiographical memory
- Hill, Aaron Representations and distortions of ‘self’ in graphic narrative: borders of autography and visual representations of ‘I’ and ‘self’
- Horridge, Naomi What now? Ethics and restraint
- Joseph, Sue The ethical journalist: oxymoron or aspiration?
- Keighran, Judyth Into the Badlands: countering false shame in memoir
- Killen, Chloe Perceptions of authenticity in the production of Australian children’s picture books
- Knight, Anneli Research methodologies employed by writers of fiction
- Kroll, Jeri & Dai, Fan Cultural and Ethical Challenges in Teaching Creative Writing: A Comparative Study of Australian and Chinese Classes
- Lawrence, Annee Hearing voices: on the role of reflexivity and embodiment in Runo Isaksen’s Literature and War – Conversations with Israeli and Palestinian Writers
- Le Rossignol, Rachel ‘You’re not going to magic away their disability are you?’: the ethics of magic and the ethics of realism
- Lindemann, Sandra The contest for authority in as-told-to life writing
- McKinnon, Catherine ‘Is a true story always true?’: an approach to fictionalizing Matthew Flinders’ Narrative of Tom Thumb’s cruize to Canoe Rivulet
- Murphy, Ffion Writing Therapy in the Academy: Risks and Challenges
- Nahrung, Nollie Unstraightening: Ethical adventures with queer heterosexuality in an open text
- Prendergast, Julia The strange and the familiar: seeing beyond when we know
- Rendle-Short, Francesca Father work: just gladwrap
- Renes, Cornelis Martin Mudrooroo’s Vampire Trilogy: a ghostly deconstruction of ‘authentic’ Australianness
- Rickett, Carolyn My Body/my calamity. My body/my dignity. The role of autobiographical writing as a therapeutic and ethical strategy for dealing with a cancer diagnosis
- Robertson, Rachel Writer first, mother second: the politics and ethics of motherhood memoirs
- Rose, Jessica Theft is theft: the ethics of telling other people’s stories
- Simpson, Lindsay Diving into the story: ethnographic reporting as a meaningful way of conducting social research
- Strakosch, Antonia Constructive distance: Jonathan Safran Foer’s Everything is illuminated as a model for third-generation Holocaust fiction
- Utting, Susie Between the eye and the ‘i’ in witness poetry: ethical responsibilities of representation of traumatic events and situations
- van de Pol, Caroline Fictionalising real people
- Vicars, James ‘Storying’ lives: biography as story and the ethical imagining and ‘holding’ of lives
- Webb, Jen Ethics, writing, and splinters in the heart
- Whitting, Glenice Joy Omissions and additions: ethics and the epistolary writer