The Authorised Theft: Writing, Scholarship, Collaboration Papers – The Refereed Proceedings Of The 21st Conference Of The Australasian Association Of Writing Programs, 2016, Canberra AUS
ISBN: 978-0-9876205-0-7
Editorial Introduction – Niloofar Fanaiyan, Rachel Franks and Jessica Seymour
Section 1: Critical Papers
- Athina Bakirtzidis – Honouring narrative truth
- Owen Bullock – Response mode: taking everything and the genre
- Alayna Cole – Moving beyond the self: how blog posts can inspire narratives of representation
- Shady Cosgrove – One page and counting – beginnings and narrative construction
- Rhett Davis – Author/Developer, Reader/Player: games in experimental fiction and experimental fiction in games
- Anna Denejkina – Exo-Autoethnography: writing and research on transgenerational transmission of trauma
- Claire Duffy – Plundering the feminine grotesque in Angela Carter’s Nights at the Circus
- Zoe Dzunko – ‘Girls in their Summer Clothes’: transgressive liminality and outsiderhood in Bruce Springsteen’s and Philip Levine’s female protagonists
- Rachel Franks – Stealing stories: punishment, profit and the Ordinary of Newgate
- Harriet Gaffney – Romancing Theft
- Carol Hoggart – Theoretical theft: Chaucer, literary theory and the (re)creation of fictional character
- Lynn Jenner – Opportunity, fixed points and the space in-between: the creative writing PhD at the International Institute of Modern Letters
- Brooke Maggs – The Writer Between: Thieving Literary Plot to Design Game Narrative
- Phillipa Martin – Writing a self-reflexive crime novel using real life and fictional adaptations
- Benjamin Miller – David Unaipo’s life stories: Aboriginal writing and rhetoric
- Patrick Mullins – Justifying the profane: ethics and biography
- Paul Munden & Paul Hetherington – A Doubtful Freedom: Untidy sonnets and a contemporary poetics
- Jason Nahrung – Stolen futures: the Anthropocene in Australian science fiction mosaic novels
- Pip Newling – Teaching writing, teaching whiteness with Fiona Nicoll and Kim Scott
- Danielle Nohra – Stolen landscapes: trauma, agency and environmental ideology in Lucy Christopher’s Stolen
- Susan Presto – Poethics: taking responsibility for unknowability
- Angela Savage – (Un)authorised theft: The ethics of using real life to inform fiction
- Rosemary Sayer – Identity theft: the missing narrative of refugees and asylum seekers in Australia
- Jessica Seymour – Representations of fanfiction in the works of Rainbow Rowell; ‘Borrowing… Repurposing. Remixing. Sampling’
- Nathan Smale – Transacting trauma: reader transation theory and fictocritical infinity
- Maria Takolander – Theft as creative methodology: A case study of digital narratives
- Nat Texler – “Is it theft if you steal it from yourself?” – artistic audits for mapping the development of new theatrical work from old influences
- Debra Wain – (Re)Writing sites of food preparation as spaces of women’s authority and autonomy
- Olga Walker – Fallen angels: the lost warriors of the 1916 Proclamation
Section 2: Creative Papers
- Jennifer Anderson – The art of travel
- Daniel Baker – Bits of Worth: collaborative remix as world building
- Katrin Den Elzen – Ticking the box
- Linda Devereux – A bit Scottish
- Lisa Dowdall – Unknowing
- Jeremy Fisher – Lenora Jane Frayne
- Brenda Fitzpatrick – Stories to Change the World (Often given, sometimes stolen)
- Brentley Frazer – ABORIGINAL TO NOWHERE: song cycle of the post-modern dispossessed
- E. Don Harpe & Eugen Bacon – That danged gizmo
- Dominique Hecq – Crimes of letters: the crow, the fox and me
- Kathryn Hummel – Suite from The Bangalore Set: the poetry of ethnographic collaboration
- Jackson – A dao of poetry? Non-intentional composition, emergence and intertextuality
- Rowena Lennox – Coolooloi
- Daniel Martin – A more likely outcome: a research poem
- Julia Prendergast – Colour me grey
- Jessica Seymour – What’s the WIFI password?
- Nat Texler – Lifeline: an extract
- Amelia Walker – Why I don’t write (much): per-forming failure in and as creative writing research
- Mags Webster – Going By ‘The Way of Dispossession’: Apophasis and Poetry