The Australian Association of Writing Programs

ISBN 978-0-9807573-4-7 Copyright 2011

Janie Conway-Herron, Moya Costello, Lynda Hawryluk: Editorial Introduction

• Baker, Dallas J Creative and Critical Reflexivity: Queer Writing as an Ethics of the Self
• Ball, Benjamin Writing the World Wide Web: Digital Photography and Visual Truthfulness
• Bradley-Smith, Susan The truth about love: memoir as ethical decomposition
• Brien, Donna Lee & Wessell, Adele From “training in citizenship and home-making” to “plating up”: Writing Australian cookbooks for younger readers
• Burr, Sandra; Brien, Donna & Webb, Jen Ethical examiners: authority, power and the ethics of examination

• Carey, Janene Between a rock and a hard place: navigating the ethical demands of narrative inquiry and creative nonfiction
• Carlin, David After Barthes: the preparation of the memoir
• Castles, Belinda Burning In: a sensory inheritance of family history
• Conway-Herron, Janie White Australia’s Black History: Writing Australian cultural sensitivities
• Cook, Nell Trauma, Botox and the burqa: in polyvalent gothic stories

• Cosgrove, Shady Radical Uncertainty: Judith Butler and a theory of character
• Dunn, Wendy Speaking the Silences: Writing, advocacy and enabling voice
• Eales, Mic Researching Suicide via Empathic Inquiry: Speaking the silences
• Finlayson, Katrina Faking it: the ethics of transforming real life into fiction
• Fisher, Jeremy Out and proud: the difficult emergence of overt homosexual narrative in Australian fiction

• Franks, Rachel Fact, fiction and committing murder: some of the ethical issues associated with writing historical crime fiction
• Gandolfo, Enza It’s all make believe: ethics, fiction and a writer’s responsibilities
• Gibbons, Sacha Violent Criticism
• Glassby, Wendy Responsible writing: choosing how to tell the stories of marginalised characters
• Hecq, Dominique Ethics versus morality: the case of Joe Cinque’s consolation

• Hetherington, Paul Lies and truth-telling: lyric poems and autobiographical memory
• Hill, Aaron Representations and distortions of ‘self’ in graphic narrative: borders of autography and visual representations of ‘I’ and ‘self’
• Horridge, Naomi What now? Ethics and restraint
• Joseph, Sue The ethical journalist: oxymoron or aspiration?
• Keighran, Judyth Into the Badlands: countering false shame in memoir

• Killen, Chloe Perceptions of authenticity in the production of Australian children’s picture books
• Knight, Anneli Research methodologies employed by writers of fiction
• Kroll, Jeri & Dai, Fan Cultural and Ethical Challenges in Teaching Creative Writing: A Comparative Study of Australian and Chinese Classes
• Lawrence, Annee Hearing voices: on the role of reflexivity and embodiment in Runo Isaksen’s Literature and War – Conversations with Israeli and Palestinian Writers
• Le Rossignol, Rachel ‘You’re not going to magic away their disability are you?’: the ethics of magic and the ethics of realism

• Lindemann, Sandra The contest for authority in as-told-to life writing
• McKinnon, Catherine ‘Is a true story always true?’: an approach to fictionalizing Matthew Flinders’ Narrative of Tom Thumb’s cruize to Canoe Rivulet
• Murphy, Ffion Writing Therapy in the Academy: Risks and Challenges
• Nahrung, Nollie Unstraightening: Ethical adventures with queer heterosexuality in an open text
• Prendergast, Julia The strange and the familiar: seeing beyond when we know

• Rendle-Short, Francesca Father work: just gladwrap
• Renes, Cornelis Martin Mudrooroo’s Vampire Trilogy: a ghostly deconstruction of ‘authentic’ Australianness
• Rickett, Carolyn My Body/my calamity. My body/my dignity. The role of autobiographical writing as a therapeutic and ethical strategy for dealing with a cancer diagnosis
• Robertson, Rachel Writer first, mother second: the politics and ethics of motherhood memoirs
• Rose, Jessica Theft is theft: the ethics of telling other people’s stories

• Simpson, Lindsay Diving into the story: ethnographic reporting as a meaningful way of conducting social research
• Strakosch, Antonia Constructive distance: Jonathan Safran Foer’s Everything is illuminated as a model for third-generation Holocaust fiction
• Utting, Susie Between the eye and the ‘i’ in witness poetry: ethical responsibilities of representation of traumatic events and situations
• van de Pol, Caroline Fictionalising real people
• Vicars, James ‘Storying’ lives: biography as story and the ethical imagining and ‘holding’ of lives

• Webb, Jen Ethics, writing, and splinters in the heart
• Whitting, Glenice Joy Omissions and additions: ethics and the epistolary writer